This is a truly beautiful work, and it may take you several go-throughs before you're ready to look at the text. Lewin's watercolors cover the pages, making excellent use of white space and using the print as an integral part of the design. Not only are the illustrations lifelike, they capture the feeling one has about the variety of birds: feathery, sometimes wispy and at other times solid. Viewing them, you know you are dealing here with a true observer of nature and it comes as no shock when you read on the book flap that a series of wildlife books is among his seventy previously illustrated books for children.
When you've stopped revelling in the pictures, you can look at the text. Here, too, you become immediately aware that this is no dilettante's look at nature; this is a woman who knows her birds. We knew she loved owls after Owl Moon (Putnam, 1987 ISBN 0-399-21457-7;) now we know that her interest and keen powers of observation had been at work with others of the species. Jane dedicates her book to her husband and son and notes that their lifetime lists of observed birds are extensive, but doesn't say what hers is. Her information list at the back of the book gives you information about each one she's included here. She's not only watched birds, she's listened.
Her poems catch birds on the wing, in the nest, on the tree, the pond and on the land.
Her images are wonderful. The kildeer "walked the rows, brown heads nodding over their striped bibs like satisfied farmers counting the harvest." The swan has "a marbelized stillness." She calls the great blue heron "a painted hunter....the brushstroked eye, the slash of bill, the pencil-line of legs." Always she extends our vision causing us to look at the next visitor to the bird feeder with wonder.
There are wonderful juxtapositions: the illustration of baby robins, mouths agape, thrusting up from a messy nest of twigs is Lewin's contribution to one page. Yolen's "Nestlings" compares human babies to these, noting that all babies are born ugly and unfinished.
If you're looking for an artist who uses words the way a skilled painter uses his/her brush, you've got a gold mine in this book with wordsmith and artist equally skilled. If you are even mentioning birds in the classroom, you need this book.
Whatever you do with it, however you and the children enjoy it, handle it with care. It's a treasure.
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